End Credits Template
Free to Download
for Films, Shorts & TV
Download the only end credits template grounded in primary union sources — WGA, DGA, SAG-AFTRA, and PGA. Fill in your cast and crew, keep the industry-standard hierarchy intact, and drop it straight into Word, Excel, or your NLE — native project files are included for After Effects, Premiere, DaVinci Resolve, and Final Cut.
- Two variants — Essential (65 roles) and Complete (509 roles) — in CSV, XLSX, and DOCX
- Industry-standard hierarchy auto-applied — DGA, WGA, SAG-AFTRA, PGA rules built in
- Native project files included — After Effects, Premiere, DaVinci Resolve, and Final Cut — ready to render in your own NLE
Directed by
Jane Anderson
Written by
Michael Chen
Sarah Williams
Produced by
David Martinez, p.g.a.
Emily Thompson, p.g.a.
Director of Photography
Robert Kim, ASC
Film Editor
Lisa Park, ACE
Original Music by
James Wilson
Casting by
Amanda Reyes
Production Designer
Daniel Tanaka
Free End Credits Template
Two curated variants. Pick the one that matches your production scale.
Essential
65 roles · 20 departmentsShort films, music videos, student films, web series
Best for
For video editors (NLE)
A ready-to-edit scrolling roll for your timeline — replace the placeholders and render in your own NLE.
All formats include the same data and the same metadata layer (guild source, role page cross-links, project-type applicability). Published under CC BY 4.0.
Complete
509 roles · 79 departmentsIndie features, studio productions, broadcast TV, VFX-heavy
Best for
For video editors (NLE)
A ready-to-edit scrolling roll for your timeline — replace the placeholders and render in your own NLE.
All formats include the same data and the same metadata layer (guild source, role page cross-links, project-type applicability). Published under CC BY 4.0.
Need help deciding? The Essential template is curated for productions under ~60 crew members. Pick Complete if you have multiple VFX vendors, a dedicated stunts department, or international co-production credits.
From spreadsheet to broadcast in your own NLE
One filled-in template, four ready-to-render project files.
Download
Pick Essential or Complete. Each format has the same data — choose whichever your team prefers to edit in.
Fill in names
Replace every "[ ENTER NAME ]" with the credited name. Delete rows that don't apply. Keep the hierarchy intact — it's industry-standard.
Drop it into your NLE
Open the matching native file — After Effects, Premiere, DaVinci Resolve, or Final Cut — and your filled-in names flow straight into the timeline.
Render & export
Export your finished credits scroll at whatever resolution and frame rate your delivery spec requires, straight from your own NLE.
The Order Your Template Follows
Both templates are pre-sorted into the order below, grounded in DGA Basic Agreement Art. 7, the WGA Screen Credits Manual, the PGA Producers Mark rules, and the SAG-AFTRA CBA. Negotiated positions are flagged.
Opening Credits — 17 positions
Bookend hierarchy: studios first, director last. Modern productions often skip opening credits entirely except for studio logos and a single "Directed by" card.
| # | Credit | Tier | Notes |
|---|---|---|---|
| 1 | Distribution company | ATL | Studio logo (e.g., Warner Bros., A24) |
| 2 | Production company | ATL | Producer's banner (e.g., Syncopy, Plan B) |
| 3 | Possessory credit | ATL | Optional 'A [Director] Film' — DGA-restricted, individually negotiated |
| 4 | Film title | ATL | Can appear earlier in the sequence |
| 5 | Lead cast | ATL | 1-3 principal actors, often individual cards |
| 6 | Supporting cast | ATL | Billed individually or grouped |
| 7 | Casting director | BTL | First department head credit |
| 8 | Music composer | BTL | Score composer, not songs |
| 9 | Costume designer | BTL | |
| 10 | Associate producer(s) | ATL | |
| 11 | Editor | BTL | |
| 12 | Production designer | BTL | |
| 13 | Director of photography | BTL | Often 'Cinematography by' |
| 14 | Executive producer(s) | ATL | |
| 15 | Producer(s) | ATL | May include p.g.a. mark (PGA) |
| 16 | Writer(s) | ATL | 'Screenplay by' or 'Written by' — WGA arbitration may apply |
| 17 | Director | ATL | DGA-mandated final solo credit. 'Directed by' is the only acceptable form. |
Closing Credits — Above-the-line Cards
Individual title cards before the scroll begins. Opens with the director (mirror of opening sequence).
End Credits Scroll — Order by Department
Within each department: department head first, then key crew, then assistants. The Complete template covers all 79 departments below; the Essential template covers ~20 core departments.
+ 46 more departments in the Complete template (VFX sub-departments, music sub-sections, additional documentary producers, etc.)
Common myths about credit rules
❌ "SAG-AFTRA controls the order of cast credits"
False. The SAG-AFTRA CBA only requires that at least 50 cast members be credited (or all if fewer). Order, size, and placement are negotiated individually in actor contracts.
❌ "The MPAA regulates film credits"
False. The MPA (formerly MPAA) regulates ratings and title registration — not credits. Credit rules come from the WGA, DGA, SAG-AFTRA, and PGA.
❌ "Every director gets a possessory credit"
False. The DGA restricts the "A [Director] Film" possessory credit to directors with established names, a signature style, or a substantial body of work — and it must be individually negotiated.
Templates by Project Type
Each project type maps to a template variant and a typical duration — start from the closest match.
Short Film
Duration: 1-3 min
Crew: 10-60
Based on Essential
Feature Film
Duration: 7-10 min
Crew: 150-1,000
Based on Complete
Documentary
Duration: 3-5 min
Crew: 20-80
Based on Complete
TV Series
Duration: 30-60 sec
Crew: Per ep.
Based on Complete
Music Video
Duration: 15-30 sec
Crew: 5-30
Based on Essential
Commercial
Duration: Often none
Crew: 20-80
Based on Essential
Student Film
Duration: 1-2 min
Crew: 5-25
Based on Essential
Web Series
Duration: 30-90 sec
Crew: Per ep.
Based on Essential
An online editor is on the way
We're building EndCreditsPro: import your cast and crew, apply this exact hierarchy, and render broadcast-ready output — MP4, ProRes, or DCP frames — without touching a single keyframe.
It's still in development and not yet open to the public.
Join the waitlistEnd Credits Examples from Famous Films
See how Oscar-winning productions structure their credits. Each breakdown analyzes hierarchy, duration, and creative choices.
Everything Everywhere All at Once End Credits: Complete Technical Breakdown & Analysis
A professional breakdown of the end credits for Everything Everywhere All at Once — typography, credits structure, the tiny VFX team behind 500 shots, bilingual title design, and the multiverse whispers hidden in the credits scroll.
Project Hail Mary End Credits: Complete Technical Breakdown & Analysis
A professional breakdown of Project Hail Mary's end credits — Cindie Mono C typography, five VFX studios, Daniel Pemberton's 38-track score, Rocky's untranslated post-credits audio, and the unusual 'with' opening credits.
Oppenheimer End Credits: Complete Technical Breakdown & Analysis
A professional breakdown of every department, role, and design choice in Oppenheimer's end credits. Covers typography, credit hierarchy, the VFX credits controversy, guild compliance, and Ludwig Goransson's Oscar-winning score.
Star Wars End Credits: Technical Breakdown & Analysis Across the Saga
A professional breakdown of the Star Wars end credits across all nine saga films. Covers typography, credit structure, the DGA dispute, crew size evolution, and John Williams' score design.
End Credits Font
Cinema standards favor serif typefaces for the title card (Trajan, Garamond) and a condensed sans-serif for the scroll itself (Futura, Univers, Akzidenz-Grotesk).
Whatever you choose, prioritize legibility at scroll speed (50-70 px/sec at 1080p) over style. EndCreditsPro ships with 12 broadcast-tested font pairings — no licensing required.
Read the complete font guideSample title card
Directed by
Jane Anderson
Sample two-column scroll
Frequently Asked Questions
Everything we get asked about end credits.
What is the correct order for film credits?
Opening credits run from distribution company through director (last). Closing credits reverse this: director appears first on a solo card, followed by writer, producers, lead cast, then department heads (DP, production designer, editor, costume, music, casting). The end credits scroll then organizes the remaining crew by department — production management, art, camera, grip & electric, sound, post-production, VFX, music — ending with songs, special thanks, logos, and copyright. The DGA, WGA, SAG-AFTRA, and PGA each regulate specific positions within this hierarchy.
How long should end credits be?
Credit duration scales with crew size. A short film typically runs 1-3 minutes, an indie feature 3-5 minutes, a studio production 7-10 minutes, and a VFX-heavy tentpole 10-15 minutes. The industry-standard scroll speed is 50-70 pixels per second at 1080p, which translates to about 60-80 names per minute in a two-column scroll. Faster than that and names become unreadable.
Do I need opening credits?
No. Most contemporary American films use only a title card at the beginning and a full credit sequence at the end. The DGA, WGA, and SAG-AFTRA all permit this format. Opening credits are a stylistic choice, not a requirement.
Who decides the order of movie credits?
Guild agreements set the framework. Within that framework, producers determine below-the-line credit order, while above-the-line placements (director, writer, lead cast) are individually negotiated in contracts. The WGA uniquely determines writing credits through an arbitration process, not the producers. SAG-AFTRA only requires that at least 50 cast members be credited — order and size are negotiated individually.
What font is used for movie credits?
Cinema standards favor serif typefaces for the title card (Trajan, Garamond, Caslon) and a condensed sans-serif or serif for the scroll itself (Futura, Univers, Akzidenz-Grotesk, or the increasingly common Founders Grotesk). For poster billing blocks, condensed all-caps families like Steel Tongs, BeeTwo, or Triple Condensed Gothic dominate. Whatever you choose, prioritize legibility at scroll speed over style.
Do I need After Effects or Premiere to use this template?
Not for the spreadsheet itself — the CSV, XLSX, and DOCX versions are planning worksheets you fill in like any document. To turn the list into a video, use the matching native project file included in the same download (After Effects, Premiere, DaVinci Resolve, or Final Cut) and render from your own NLE. EndCreditsPro, our online credits editor, is in development — join the waitlist to get access when it launches.
Are the templates free?
Yes. Both the Essential and Complete templates are free to download in every format — CSV, XLSX, DOCX, and the native After Effects, Premiere, DaVinci Resolve, and Final Cut project files. They are published under CC BY 4.0, which means you can use, remix, and distribute them with attribution. EndCreditsPro, our upcoming online editor, is not yet public and is not free — join the waitlist for early access and pricing.
What is the "p.g.a." credit and who gets it?
The "p.g.a." mark is granted by the Producers Guild of America to producers who performed a major portion of producing functions in a decision-making capacity on a specific project. It is determined project-by-project and is independent of PGA membership. The mark appears as a suffix on the producer credit (e.g., "Produced by Jane Doe, p.g.a.").
Ready to fill in your credits?
Download the template, keep the industry-standard hierarchy, and take it straight into Word, Excel, or your own NLE.
Template role taxonomy derived from Endcrawl's Perfect Template (CC BY 4.0). Guild rules cited from the WGA Screen Credits Manual, DGA Basic Agreement Art. 7, the SAG-AFTRA CBA, and PGA Producers Mark rules. Metadata layer and Essential / Complete variants are original work by EndCreditsPro, published under CC BY 4.0.
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